The Fabulous Jan Kozlowski Reads at the Spookiest Little Bookstore in New England

(Jan Kozlowski, photo courtesy of Books and Boos)

You couldn't meet a nicer or more engaging author than the brilliant Jan Kozlowski.  And you couldn't experience a cooler Indie bookstore than the little shop among the tall pines, Books and Boos. Creative force-of-nature recently teamed with one-of-a-kind literary venue and treated a lucky audience to an unforgettable afternoon where books were celebrated, and the chill factor skyrocketed!

"Jan is so wonderfully down to earth and able to make friends with anyone. We had a lot of people stop in for her reading simply because they like her so much," says Stacey Longo, one half of the husband-and-wife team behind Books and Boos, and a talented scribe I've had the pleasure of appearing in print with on numerous occassions, most recently in the outstanding Anthology: Year One. "The night before the reading, Jan contacted us, as she thought reading from her new novel Die,You Bastard! Die might be inappropriate the day after the Newtown shootings. She was able to find another piece to read instead, and we collected donations that day for Sandy Hook. It was nice to feel like we were able to do something for the victims' families and survivors in our own state. It was an awesome afternoon -- we had food on hand, and a group of us just hung out, visiting and laughing and telling tales."

Jan shared a selection from her appearance in Hungry For Your Love: An Anthology of Zombie Romance (St. Martin's Press, edited by Lori Perkins).  "I was really conflicted about what to read. Die, You Bastard!  Die! is dripping in human evil almost from Page 1, so I opted to go with my story "First Love Never Dies" from Hungry For Your Love. Most of the people in the audience had never heard it, including my husband's granddaughter, so I think it ended up working out for the best...or at least the best we could do on such a sad, sad day. We did end up raising about $80 for the Newtown Parents Connection, though, and I think it helped all of us to be among friends."

The fabulous Ms. Kozlowski, who I first met at 2012's Camp NECon, has been writing for as long as she can remember.

"My first memory is being about three and writing my grandmother a 'prescription' because she wasn't feeling well. It's interesting that I ended up working in both the medical and writing fields; sometimes I guess we're just wired for certain vocations," she says.  "Growing up I scored my first paycheck writing articles about raising tropical fish for my local newspaper at about the age of eleven and edited a nationally distributed newsletter, also about tropical fish, throughout my early teens. The writing took a back seat when I got my first 'real' job at Friendly's at sixteen and, other than working at the college radio station and writing and editing the ambulance company newsletter, I didn't do much more writing until I met my husband and he encouraged me to get serious about writing professionally.  So I opened up my own freelance writing shop, with sidelines in editing and research, around 1997. My clients have included: Poisoned Pen Press, The Society of Children’s Books Writers and Illustrators, The Senior Network, ConnLife, Strong Books, AOL, Hips & Curves, and Remilon."

Jan's short fiction also appears in the Ravenous Romance anthology Fang Bangers: an Erotic Anthology of Fangs, Claws, Sex, and Love, NECon e-books' Best of 2011 Flash Fiction, and Weird Noir (Fox Spirit Books) among others.  A nonfiction exercise of hers is featured in the Tarcher/Penguin handbook Now Write! Science Fiction, Fantasy, and Horror.

(photo courtesy of Books and Boos)

"Reading at Books and Boos was outstanding! Jason and Stacey are wonderful hosts, and being members of New England Horror Writers, as well as writers themselves, they know how to make their authors and customers comfortable and happy. They provided not only a wonderful space, but a warm and inviting atmosphere, complete with a yummy spread of snacks and enough books and novelties to keep everyone interested."

Jason is author Jason Harris, Stacey's husband and co-creator of the Books and Boos experience.

"We were so lucky to find that spot. As soon as we saw the space, it felt right," says Jason who, in addition to his feature work for three Connecticut newspapers, also writes reviews for DVD Snapshot. "We spent a few weeks painting, doing trim work, setting up bookcases, and rearranging -- we still rearrange every week, trying to get it just right. In one room, we painted quotes from different writers around the top. We were hoping to do it in every room, but it wound up taking so long for me to do just one, now we're thinking about contacting the local high school to see if any of their art students want to finish that project up."

"For me, owning a bookstore always seemed like the ideal job," adds Stacey. "To be surrounded by the thing I'm most passionate about -- books -- sounded like heaven. It was the job I dreamed about while doing my regular day job. When we finally decided to get off our butts and pursue the dream, it was fortunate that we were so involved with the NEHW and the horror community. We knew we wanted to give shelf space to books that don't normally garner that kind of attention at places like Barnes & Noble. We were able to contact writers through the NEHW to let them know their book would have a home on our shelves, if they were interested. Being writers ourselves, we know how hard it is to get small press books into peoples' hands. We also got the word out to local artists that we had room for them, too. We now have paintings and professional photographs on our walls, etched bookmarks, hand-crafted cribbage boards, crocheted Cthulhus, hand-sewn blood stain pillows, and sculptures crafted from recycled flatware in the shop."

(photo courtesy of Books and Boos)

Books and Boos opened its doors on Tuesday, November 20, 2012, and in its short existence the shop at 514 Westchester Road in Colchester, Connecticut is already flexing its limbs.

"It seems like every day we need more shelves and bookcases," says Stacey. "We have a short-term plan to rearrange -- yet again -- to fit more books as needed. Of course, we'd love to get bigger, but that depends on how successful we are!"

"I would like to get authors of all genres into the store. If any author or speaker wants to do a reading, I welcome a call or email to talk about it," says Jason.  "I would like to have all kinds of presentations and talks. At the moment, I'm working on getting a person in who takes ghostly photographs, a woodcarving group, and a gentlemen who makes pens."

And, of course, an encore visit by the delightful Jan Koslowski is an event worthy of  marking up calendars!  Boos and Books can be contacted at: (860)861-6214.  

Presented for Your Approval, ANTHOLOGY: YEAR ONE

(photo credit: Henry Snider)

Over the summer, between writing retreats, conferences, and adventures, I submitted two short stories to editor Mark Wholley, who was reading for an anthology open only to writers who had attended the Freshman experience of November 2011's Anthocon.  The anthology, appropriately titled Anthology: Year One, would be launched at this year's multi-genre celebration.

A Saturday night, months later, I paused the Hollywood blockbuster playing on our flat-screen in the living room (Snow White and the Huntsman, I believe) to refresh sodas.  I moseyed into my Writing Room to find an acceptance on one of the two stories, my short and creepy tale, "The Guests."  I was beyond thrilled and struggled to get through the rest of the movie.  I wanted to be in this project.  And I was.

The idea for "The Guests" came to me on a humid June afternoon, a Wednesday, in one of those thunderclaps of inspiration where a story takes shape, fully formed.  I saw, quite clearly, a woman X'ing off days on a calendar in red ink as she and her husband prepared for the arrival of holiday guests.  Only it turned out that though the motions seemed normal, an element of wrongness quickly grew apparent, for these guests were not your average in-laws or siblings.  I sat down a few hours before due to depart for my writer's group's weekly meeting, put pen to paper, and dashed off the first draft in one sitting.  I then read it to my fellow scribes, who dug it.  So did the luminous Mister Wholley, as he chose it to appear in a stellar Table of Contents in the conference's official literary companion.

Many of my fellow authors shared the back stories behind their contributions to the amazing read that is Anthology: Year One.

Marianne Halbert on "When Betsy Whispers": "As part of my day job, I travel to our local prisons from time to time. One snowy day, I left early in case the roads were bad. I arrived early, with time to kill. They were in the process of opening a new museum. There was a wall of shanks, and a letter written by a fourteen-year-old Charles Manson when he'd been at the boys' school. But what drew my attention was the chair. Ancient, yet elegant, untouchable due to the glass that separated us, she sat. Some states refer to their electric chairs as 'Old Sparky'. For some reason, in Indiana, she's 'Old Betsy'. She whispered to me, and planted the idea for my story, 'When Betsy Whispers'."

Stacey Longo on "Cliffhanger": "'Cliffhanger' came about when I was stuck at an employment law seminar all day, listening to two lawyers drone on about Connecticut's paid sick leave law. I was thinking about how nice it would be to push one or both of them into the Grand Canyon. So, while my boss thought I was diligently taking notes, I outlined the story that would become 'Cliffhanger.' And yes, the married couple in the story is named after those two tedious lawyers!"

Timothy P. Flynn on "A Day at the Bookstore": "Back in 2007, I was in the process of ending a fifteen-year relationship with my wife (together for ten, married for five) because my alcoholism and depression were just out of control. I hit the rock bottom that many talk about but yet never seem to face. My life needed a change or I was going to die. I finally took the plunge into a detox center at Hampstead Hospital. All I knew up until that point was being drunk. I had always loved writing and books, but had no clue how to pursue it. So I became more depressed because I suppressed my passion for writing. I made one promise to myself once I go out and was sober: I would follow my passion and have a dream.

I tried a dating site to look for a possible relationship. My search focused on a woman who enjoyed Horror, books, and movies. Common interests were the most valuable commodity now as my soon to be ex-wife never read a damn book in her life. This is how I met Barbara. We talked online for a few weeks before finally meeting: our first in person date? At the Salem, New Hampshire Barnes and Noble, yes a bookstore! I don’t know about the rest of you, but after being with one woman for such a long time, the first time you meet a new love is very exciting. We talked about books, various authors, movies -- mostly Horror, her college choices, and life stuff. I had such a great time talking about things I cared about; with a coffee in my hand instead of a beer.

The funny story about the poem is that I have no written copy of it anywhere. A few days after meeting Barbara, I opened up my email, and proceeded to write this poem in the space. It was written in a fury, the images just shot from brain to hand, no editing. I hit send and waited to hear a response. A few hours later, she responded with nothing but admiration for what I created for her. I wrote it for her, solely for her and had no intention of anyone ever seeing the poem. I don’t even have the account anymore that I used to write that poem; hence the only copy of its existence was lost to cyber land.  Barbara was so moved by my writing of this poem that the next time I saw her; she presented me with a surprise. The gift was a beautiful framed copy of the poem. She printed it out, blew it up, designed some fancy fonts and border to it and gave it to me. It had to be the nicest thing anyone had done for me in a very long time. To this day, besides this poem being published in Anthology: Year One; the only existence this poem was even written at all resides on my desk in my office."

T. T. Zuma on "The Old Man": "'The Old Man' was inspired by Tom Piccirilli.  I had attempted a few times before to write a noir-influenced story and never had much luck at it.  Everything I wrote seemed to hinge on a cliché, or I wasn’t able to pull off that tough guy attitude in my main character that Tom is so damn good at. Then one day while driving to work, I came to the bridge located in the center of my hometown and I saw an old man fishing off it. My imagination kicked in and later that evening I started the first draft of 'The Old Man.'  Reading it the next day I thought it sucked.  The characters were stereotypes and the plot wasn’t very original.

Pic had told me once that when he wrote a story all he had in his head was maybe the first line or the first paragraph and once those were written, he would then let the story take over and see where it brought him.  I decided to try and do the same thing.  After using the same first paragraph, I rewrote the story letting my characters take me on their journey instead of the other way around.  I hadn’t the slightest idea that my private eye was really a mob enforcer on the run or that the antagonist wasn’t some tough-talking gorilla but a young, scared kid.  As a result of these changes came a new ending which not only took me totally by surprise, but I thought perfect.  When I had finished rewriting the story, it didn’t suck anymore.

Once finished and then vetted by my first readers I had another problem, who publishes noir short stories anymore?   I held onto it for over a year. When Anthology: Year One announced a call for submissions, I thought it the right anthology and I rushed to send it to the editor, Mark Wholley. Thankfully he accepted 'The Old Man' and I am proud that it found a home in this anthology."

K. Allen Wood on "She Cries": "The title 'She Cries' has been with me for a long time. Back in the early ‘90s, as a young teenager, I used it as the title to the following poem:

She came to me in the night.

Her body seemed to move, sinewy, with the mist,

swirling, gathering at my window.

She coursed through my mind, bristled close to my skin,

leaving sweet beads, hope-filled.

Then she was gone.

That night, awake, I spoke a dream aloud:

'There is reason we return from the bitter darkness.'

Ignoring the poetic merit presented above, which should be easy because I’m fairly confident there is none (I don’t even know what that poem is about anymore), that was the first time I used the title. Later, it became a song. More recent, I used it as the name of a music project. You can hear one of those songs, a cover of an old System of a Down demo. And most recent, it was the perfect title for a short story I’d written, so I used it yet again.

Those two words together --'she cries'-- have always resonated with me, for one reason or another. Specific to the short story, however, which now appears in Anthology: Year One, a fine collection of tales from authors who attended the very first Anthology conference in 2011, the idea came to me after a friend broke down one night while drinking. 'I just want you to hold me,' she’d said in part that night. 'I want to feel safe.' The words haunted me for a long time, because she’d peeled back the layers and had given me a glimpse of the dark things that pulled her strings. But she didn’t want to cut those strings; she just wanted to use me. 'She Cries' doesn’t touch upon that moment specifically, but it does explore her psyche a bit, in that it features a haunted woman who isn’t strong enough to let go of the darkness that controls her; and because of that, those unfortunate enough to truly care about her or try to help often find themselves heartbroken -- or worse. The metaphor probably isn’t as clear for the reader because I know the history of and the catalyst for the story, but I’m confident that knowledge isn’t necessary for one’s enjoyment of the tale."

Peter N. Dudar on "The Strange Medicines of Dr. Ling": "My grandfather was the general manager of the Washington County Fairgrounds in upstate New York for many years, and during those hot summer days when the carnival rolled into town my brother and I were allowed to spend the week in his trailer, right inside the fair.  A great portion of my childhood was spent soaking in carnival life -- riding the rides, playing along the midway, breathing in the myths and mysteries of the fair.  There's two faces to a carnival: the fun, vibrant, excitement of a bigger world suddenly appearing in your small town; and the cold, terrible reality of people and animals being exploited to make a quick buck.  You never needed to pay a ticket for the freak show.  You only needed to see those old-time carnies, the ones missing a hand or a leg from some carnival tragedy, to feel that same level of discomfort.

I wanted to write a story that captured these feelings from when I was a kid, the way Bradbury had with Something Wicked This Way Comes, or F. Paul Wilson had with his wonderful anthology Freak Show.  Only, as an adult, I wanted to capture a portion of something almost everyone could empathize with.  In this case, what would you be willing to trade off to be rid of something you could no longer tolerate living with...say, a bad headache?  With a little creative magic, I devised an old-fashion spirit wagon, operated by the strange and sinister Dr. Ling.  And once the bad doctor appeared, the story pretty much told itself.  Even now, long after the story was written, I can almost hear the sound of his flute playing in my head and it takes me right back to my own childhood."

Jennifer Allis Provost on "Stir the Bones": "My story was inspired by several real life events. On June 1, 2011, Western Massachusetts was hit by a tornado; luckily, my home wasn't damaged. But it got me thinking about what it would be like to be trapped in my basement, just me and my husband and the dog...

The supernatural events mentioned are all true, to a point. The woman we'd bought the house from did have eight different men living with her over the course of ten years, and she did raise the basement floor by two feet with concrete. The scissors really did fly across the kitchen to open a bag of pet food, though it was cat food, not dog. And, the kitchen cabinets really did take a flying leap off the walls.

Of course, everything mentioned didn't happen; we weren't trapped in the basement, for one. In reality, if we were trapped I wouldn't just be with my husband and dog, but twin toddlers, two cats, and a parrot as well. If everyone had made an appearance, this short story might well have become a novella. Also, other than my overactive imagination, there is no evidence of bodies under the basement floor. Then again, how would I detect them underneath all that concrete?"

John Grover on "Bog King": "I have to credit the inspiration to my story to my partner. He is a geographer and historian and in his day job he edits world history textbooks.  He sent me an article on the bog kings of the Celtic tribes. Back in those days when the tribe decided the king’s reign was up they would ritually murder him and put his body in the local bog to insure the return of spring after the winter and to be the guide of the moon goddess since the king represented the sun on earth.

The article detailed how archeologists or scientists had exhumed the bodies of Celtic kings from the bog and had discovered the bog had preserved the bodies so well they were able to tell what their last meal was, what oils they’d had in their hair, how old they were, how they were killed and many other things. After reading this, of course, my writer’s imagination took off and I instantly began thinking of 'what if' scenarios and the story was born. I imagined a young king figuring out what his fate was about to be and getting the jump on his own blood-thirsty tribe, but the tale did not end there. I crafted a tale where the king flees into the very bog that was to be his final resting place and the tribe that will not rest until he gives the ultimate sacrifice for them -- his life. They will go to unthinkable lengths to make sure spring returns the following year."

Roxanne Dent on "The Legacy": "I was thrilled to learn my short story about greed and murder with a twist in Victorian times sold to Anthology: Year One.   Knowing my story was accepted into their first print anthology was exciting.  I got to read a section of it at the November conference, which was wonderful with fabulous speakers, the Goth singer Voltaire, and numerous panels and talks.  This year I kept winning books in a raffle and [my sister] Karen won a fabulous painting.  I love Anthocon and the people behind the conference and the book, which I’m sure, will be the first of many."

Scott Christian Carr on "The Jesus Bomb": "I didn’t want to kill Jesus again. I’d already done this once (God forgive me) in Hiram Grange and the Twelve Little Hitlers -- murdered the manic, pizza-munching, razor-clawed conspiracy theorist Ypsilanti Christ (who was hanging out and blogging with Little Hitler #8, until Mr. Grange put a quick and bloody end to them both).

           

I didn’t want to kill Jesus… again. But even after 12 Lil’ Hitlers had gone to print, I couldn’t shake the idea of another skewed Christ -- couldn’t get Him out of my mind: Googly-eyed, staggering and swaying, all Hippied-out in Birkenstocks and bathrobe, lobotomized and brainwashed, wearing a T-shirt bearing the immortal scripture, I’m With Stupid (complete with an arrow pointing up to the Heavens).  Oh, and a nuclear bomb strapped to His chest.

A character too good to throw away, and too insanely sacrilegious to use almost anywhere else -- it is a true testament to the strength of the series, that Hiram Grange’s universe was the best (if not the only) place that this tragically flawed miracle-bungler could find a home. And so, diving back into Mr. Grange’s world, it not only made sense, but seemed somehow apropos, that there was room enough (God forgive me, again) for more than a few Christ killings.

And just like that, the short story, The Jesus Bomb was birthed.

For any who are interested, I am currently at work on my third Hiram Grange novel (the second, Hiram Grange and The Twelve Steps will hopefully be out in 2013): Hiram Grange and the Twelve Apostles. God forgive me (can I get an Amen?), but as of this writing, I have no plans to murder Christ a third time…"

Andrew Wolter on "The Green Hour": "I've always been intrigued by the stories surrounding the consumption of absinthe. Was there truly a 'green fairy' and did those who partake of the jade-colored liquor hallucinate as if on some bad acid trip? Were such claims mere drunken ramblings or the subject of old wives tales? A year before 'The Green Hour' was published, I attended the very first AnthoCon convention in which Ted Breaux (a renowned expert on the subject) offered a workshop on the preparation and history of absinthe. Immediately after attending Breaux’s informative class, I was instantly inspired to write an absinthe-related tale and already had the title in mind. While I wanted to incorporate the history revolving the liquor, I longed to explore a modernized myth as well. What really occurred in those moments when this mysterious alcohol impaired all judgment? As my goal in writing this tale was for readers to truly experience my main character’s absinthe-induced state, the entire content of 'The Green Hour' was written during several sessions in which I was heavily under the influence of absinthe." 

Kevin Lucia on "Lament at Sundown": "'Lament at Sundown' began, ironically enough, with a good-natured, running gag in one of my high school classes. Several of my honors students had this running joke with one of their mates -- a student of an Arabic/Middle-Eastern background (but fully, whole-heartedly American) -- that she was Native American. This led to random references to hunting buffalo, scalping, pow-wows, and fire-water, whenever the time seemed right: in the middle of conversations, tests, class discussion...pretty much whenever. It became our class's version of the time-honored 'That's what she said' joke.

Now, I know what you're thinking -- how could I allow such cultural insensitivity in the classroom? But, I knew these students well -- had known this one student's family for over ten years -- and it was clear that everything was offered in good fun (and I checked with said student, several times). Sure enough, for Halloween, the student in question came into class dressed in full-tilt Native American garb -- headdress and tomahawk and all -- and proceeded to 'scalp' several of her fellow students for their insolence. 

This, ironically enough, on a slow day, led to a discussion about my writing process. They asked how I came up with new stories, and I told them I tried to draw as much inspiration from life as possible. I then referenced their running gag and said: 'Here's the thing: you guys have all been really kind and laid-back about this, it's obviously a joke between old friends. But what if it WASN'T? What if there was meanness and violence behind it, and what if...what if...the victim, a female, decided she wasn't going to take it anymore? Was going to take matters into her own hands?' And thus, this story -- in its earliest form -- was conceived with the help of these ten students. This story deals with other things, also. The helplessness I sometimes feel as a teacher, in trying to touch students' lives...and failing, so often. Also, it's a hard look at how fear and prejudice and even racism start as very small, innocuous seeds, sprout, grow into something dark and deadly...often claiming those most innocent."

Tracy L. Carbone on "The Imaginary Solution": "I wrote 'The Imaginary Solution' several years ago to purge some bad feelings about a painful childhood similar to the one the main character experienced. There were embellishments of course and exagerrations, but the Bialows were real. Their elderly poodles, the constant scent of cleaning solution in the house, and 'The Doctor' always in the other room coughing. As a child, this couple disturbed me. They were the oldest people I had ever seen, so aged that I wondered how they could be alive. The smell of Pine Sol and Mrs. Bialow's hands have stuck with me, just waiting for a spot in the story. 

Until the call for submissions for Anthology was announced, I'd never tried to send this story anywhere, unwilling to expose myself or my life, even if it was cloaked in fantasy. But this seemed the perfect venue for it so I decided to send it along. I am glad it found a home."

David Bernard on "Appledore": "As any Yankee already knows, Appledore is the name of one of the Isles of Shoals off the coast of New Hampshire and Maine (although Appledore's neighboring island, Smuttynose, is more fun to say). Of all of the ghost stories along the New England coast, and there is no shortage of them, the one tale that always intrigued me was the ghost of Blackbeard’s bride who walks Appledore, guarding hidden pirate treasure. The deceased Mrs. Blackbeard’s story has not grown over the decades like other stories where details become attached to the story with later retellings. I remedied to fix that oversight.

Here’s a confession, I like writing fiction, but not nearly as much as I enjoy my nonfiction projects. I like researching odd topics and my fiction writing tends to rely on real names, dates and places to guide the story. With that in mind, 'Appledore' relies on historical details from Haverhill, Newburyport and the Isles of Shoals to move the story along, much in the same way local poet and folklorist John Greenleaf Whittier used Hampstead folk figures like Goody Cole to tell his tales. This is not to say I’m in the same league as Whittier, even if I look just as spiffy in a beard as he does."

Trevor Schubert on his internal artwork: "For the image 'Seaweed Inferno" -- this whole thing started (like more than a few images do) drawing with my children. In particular, I remember it was Spaceman/aka astronauts with my six-year-old daughter. I’ve always been fascinated with the similarities between the ocean and space, so much is constantly changing, moving and evolving, so much undiscovered. It might be initially considered a dark or morbid scene, however my intent was to consider the fact that the unfortunate explorer in this scene now has an eternity to watch his surroundings play out. The 'evolution' of space to sea in this drawing was an easy one; convincing my daughter this was acceptable however, that was a different story 

Regarding 'Evil Pumpkin' -- as a child of the 80's, growing up with every possible ghoulish and monstrous movie you could imagine, not that super-duper digital stuff,  the classics born from latex, paint, and maybe a little silicone, however I’m quite sure it was mixed up in a bowl, not a valley. This might sound a little hypocritical of me considering I have in fact been a digital artist for the past decade, however the majority of my images start from a old fashioned paper and pen and are occasionally pulled from a deep-seeded foundation of 'jump out and scare you' horror creatures, thanks to a trusty VCR with a remote that was most likely only an optional feature on our family’s model. Or lost years ago. I just remember that when one of those monsters popped up you had two options: either get up and run out of the room, or shut your eyes and hope for the best, because we all know that physically walking towards the thing to shut it off was never going to happen. I became a pretty good sprinter, my imagination's just gotten better at chasing me." 

Anthocon 2012 Report

Anthocon 2012 loomed large and exciting at the end of a year-long schedule that found me traveling from one end of the country to the other, to conferences, writing retreats, and readings in venues as large as New York City, as intimate as Concord, New Hampshire. The second annual conference for writers in my home state was the culmination of a year's worth of adventures that put me on the road and took me away from home for a grand total of almost three months -- a full season!  I had such a great time at last year's Anthocon, I couldn't wait to reunite with so many of the wonderful writers and readers who made that time unforgettable for all the right reasons.  Though after realizing how long I've been gone from home and family in 2012 and cutting my Sophomore stay from four days down to two, the time was even more wonderful than expected. In addition to the aforementioned reunions with such fantastic folk as one of my favorite publishers, Charles Day, Jon Michael Emory, David Bernstein, Marianne Halbert, and the fabulous Sisters Dent, my good gal-pals Karen and Roxanne, this year's festivities introduced new luminaries to my world and included numerous attendees from my weekly writer's group.  Of added sparkle, my creepy short story, "The Guests," was accepted to appear in the gorgeous conference release set to have its unveiling at a special Saturday night ceremony, the anthology edited by con-guru Mark Wholley, appropriately titled Anthology: Year One.

I planned to ride in with Charlie, who's been my excellent hotel roomie now through four conferences. But an icy gray day punctuated by a Nor'Easter that was more blather than bluster left me craving the warmth of my little home on the hill.  So I instead headed up on Friday with my good pal Philip Perron, who runs the fantastic Dark Discussions podcast.  Philip is effortless to hang with.  We arrived to Portsmouth and the hotel wherein the conference was in full swing to be greeted by dozens of beloved faces -- friends from our writer's group, the Dents, even new chums known formerly only via Facebook, like the inimitable and vibrant Mandy DeGeit.

Friday night with the Sisters Dent

After acquainting and reacquainting, I retired to my room on the fifth floor and put down a few fresh pages on one of my works-in-progress, a memoir about a summer memory from childhood started in June that has mutated and grown monstrous in size -- some 54,000 words at latest count, with at least another 10 k to go.  Up early the next morning, I met the Dents for breakfast at the diner next door for delicious Eggs Benny and iced coffee, and then moseyed into the Dealer's Room, where I promised Charlie I would cover the table while he took story and novel pitches from writers hoping to break in with Evil Jester Press, specifically the new graphic novel project (one of my short stories is being scripted to appear in the first issue, alongside a tale by Jack Ketchum).  It was my absolute pleasure to be seated beside the dealer's table of the fine folk from Firbolg Publishing, helmed by the brilliant Dr. Alex Scully.  Alex and I talked at length, and within minutes of meeting, she offered me a story assignment in an upcoming Lovecraftian project. The press is republishing Lovecraft's "The Call of Cthulu" and I'll be writing a story told from a most unexpected perspective.  I was floored, inspired, giddy.  Adding to my excitement was seeing every print copy of my gargantuan collection of stories both short and long, The Fierce and Unforgiving Muse, vanish from the table.  I signed autographs on that book and The Call of Lovecraft, rubbed elbows with so many wonderful fellow scribes and fans and, following a light lunch, took in a reading by Alex's talented sister, B. E. Scully, who shared from her incredible short story collection, The Knife and the Wound. B. E. knocked it out of the park -- I left the conference's dedicated reading room with chills!

With Marianne Halbert and our beloved babies

Saturday night's big book party to celebrate the release of the official conference anthology arrived, but as soon as I had my copy in hand, I departed.  I was physically and mentally exhausted, not only from Anthocon but eleven months of adventures to islands, inns, retreat centers, and readings.  I returned home, and the next day began to cook in anticipation of our now-annual post-Anthocon dinner gathering.  The Scullys, my friend Douglas Poirier from writer's group, David and his gorgeous girlfriend Sandy Shelonchik, and Charlie all rendezvoused at our casa for a delicious buffet that included artichoke heart dip, crackers and grapes, roasted chicken and vegetables over broccoli and cheddar rice with a bleu cheese sauce, a romaine, strawberry, and red onion salad with raspberry vinaigrette, frosted brownies, deviled eggs, and cherry-seltzer punch.  It was a fitting follow up to last year's time.  Like so many conferees, I can't wait for Anthocon 2013, one of my few travel plans for next year.