From an early age, the ABC soaps influenced my imagination and my life. Years later, it was shows like Loving, All My Children, One Life to Live, and General Hospital. In 1993, I found myself in New York City on the set of Loving, the guest of a friend who was hired for day player work. I wrote about the soaps for Topia and Soap Opera Update. When I began writing full-time, I'd camp in front of the TV with the daytime lineup playing, working on numerous projects. And when the majority of those classic soaps were cancelled, they haunted my dreams. In one such dream, I found myself on the set of a soap not unlike Loving in which the characters were protecting me from an evil that threatened the entire planet. The soap and my love for it held the key to stopping the evil. On a blustery October night in 2017, one of the gigantic pines that line my road crashed down, taking out the power. We were in the dark for four long, chilly days. During that time, I put pen to paper and belted out the completed first draft of "Hibernation", my novella based upon the dream. And I'm thrilled to report that it appears in the newest issue of Black Infinity, sharing space alongside work by such amazing writers as Lester Del Rey, Jack Williamson, John W. Campbell, and none other than Philip K. Dick.
It was my pleasure to talk soaps with publisher Tom English.
I grew up on soaps, first with Dark Shadows.
I learned the importance of storytelling, cliffhangers, and characterization
from the medium, which seems to be dead or at the least hooked up to life
support. Do you think the daytime serial is still a valid form of storytelling,
and why?
Well, your familiarity with soaps certainly does
shine through, in the depth and richness of your writing, particularly in your
story “Hibernation.” I think, like you, some of today’s best writers learned
their story-telling techniques from the daytime-drama format. And those
techniques are being greatly used in most prime-time TV dramas. The pacing is
faster, of course, but the shows are more character driven. Savvy showrunners are
now using continuing story threads, which often stretch across entire seasons, and
weekly episodes tend to leave off on some startling new development or
revelation—a cliffhanger. The CW’s Arrow
and ABC’s Agents of S.H.I.E.L.D. are two good
examples. My wife and I love both of these shows. We get wrapped up in them—and
we never miss an episode. But prime-time shows weren’t always like this. Go
back a few years and you’ll see that most shows did these little self-contained
stories each week. You could easily miss several episodes, tune in weeks later,
and never feel like you missed anything. But is the soap itself still a valid
format? I don’t think they’re as marketable today. There’s only a few still
running now. A big contrast to the 1960s and 70s when soaps ruled the afternoon
airwaves. Viewers were extremely devoted to these shows—some of which ran for
decades. But soaps moved at a much more leisurely pace. Not a bad thing, at the
time, because there was more dialogue, more conflict, more suspense and more
character development. Because of budget restraints, the stories had to focus less on plot and more on
characterization. But this gave viewers time to get to know the characters
almost as well as their own family members; to ponder their problems, their
struggles, their emotional ups and downs. Plus, these viewers could tune in
every weekday to visit with these familiar people. Which is why, for some
viewers, the characters and situations in their favorite soaps took on a degree
of reality. Not unlike what you depict in “Hibernation.”
Were you a Dark Shadows fan? If so,
elaborate.
I was too young to appreciate the show when it
first aired. Yeah, it was just too spooky for me. Bob Colbert’s opening theme
alone was enough to send me fleeing to my room and the sanctuary of my comic
books! I’ve since watched and come to appreciate the show—and its role in the evolution
of the horror genre in print and on TV. Artistically, the show succeeds at
conjuring an eerie, gothic atmosphere few horror movies manage. And there are
some truly memorable scenes and performances. There’s some occasional scenery
chewing, of course, but I think John Karlen’s performance as Willie Loomis was
always top notch. Loomis was “Renfield” to Barnabas’ “Dracula.” And you can actually
see the fear and trembling in Karlen’s characterization. And of course, in the
character of Barnabas Collins, Jonathan Frid probably did more to popularize the
notion of the sympathetic vampire, the cursed creature trying to fit into
society, than anything else previously. Anne Rice was in her mid-twenties when
the show aired, and I sometimes wonder if she was watching. If her 1976 novel Interview with the Vampire might owe
something to Barnabas Collins. I do know this, though: the success of Dark Shadows paved the way for creator
and producer Dan Curtis to do several made-for-TV horror films in the early
70s, including The Night Stalker and The Night Strangler. This in turn led to
the weekly series Kolchak the Night
Stalker. And that show helped inspire Chris Carter’s The X-Files. So Dark Shadows had a significant ripple
effect on the dark waters of fantasy.
(With Loving and Buck Rogers star Thom Christopher) |
There are some amazing reads in BLACK INFINITY 3
-- in fact, it's almost overwhelming the pedigree you've assembled. How did you
select the stories in this issue?
I have good connections, I guess. I’m blessed to
know some great writers. And I’ve read a lot, which helps in choosing the
classic tales included in each issue. I’m picky about choosing stuff. Each
story has to meet my narrow-minded criteria—it’s gotta be entertaining! I’m not
looking for deep, hidden messages or grand literary allusions or innovative
departures from traditional narrative style. I’m just looking for good, honest,
old-fashioned storytelling.
What's next for BLACK INFINITY 4?
The theme is Strange Dimensions, with stories
and comics centered around dimensional doorways, bizarre realities, warped
space, etc. I’m still finalizing the TOC but we can say that your eerie, Twilight Zone-ish story “The Sacred
Spring” will be a highlight of the issue. I’m excited about the future of the
magazine, and I have some really cool themes and covers planned for issues 5
through 7. I don’t want to say too much about these yet. I just hope the
magazine lives long and prospers so we can fulfill these grand designs.