Showing posts with label Vermont. Show all posts
Showing posts with label Vermont. Show all posts

Thursday, March 12, 2015

Meet the Luminous and Talented Laura J. Bear

2012 was an amazing year, filled with literary adventures and trips to far-flung destinations -- coast to coast, and even beyond the coast to a wonderful writing retreat on the Isles of Shoals. Upon my return from Star Island, I learned that I'd won a free stay at the lux retreat center in Vermont, When Words Count, and had barely landed from one glimpse of heaven before I was packed and headed out the door again to another. The year ended as it began, filled with an up-surge of creativity and promise, and one last adventure: an invitation to return to the retreat center in Vermont for New Year's Eve festivities.  It was there that I met a talented new writer named Laura J. Bear.  I was impressed with Laura's verve from the moment we shook hands at the big breakfast table on the snowy Saturday morning of my arrival (later the very same afternoon, our real estate agent called to inform me that our offer on Xanadu had been accepted, leading to the next of my life's great adventures).  Even more so, after she read the opening pages of her first novel while we gathered that night in the center's cozy Gertrude Stein salon to share from our work. I knew Laura's spark was genuine -- it was only a short matter of time before we'd see her story of love and loss published for others to enjoy, I was convinced.  And I was correct.  The fabulous Ms. Bear's debut novel bows to the world on March 14, and tells the story of a woman at the end of her marriage who finds a magical new beginning at a house in rural Minnesota.  Equal doses heartbreaking and hilarious, Where the Heart Lands is masterfully told by a literary voice whose star is on the rise, and by a woman who is as beautiful as the prose she writes.

It was my pleasure to speak with Laura about her novel, and her plans for what promises to be a very bright future for this talented scribe.

This novel is brilliant -- and it’s your first!  Share with us some of its history.  How long did it take you to write the novel?  Where did the idea originate?
Thank you for the kind words, Gregory. I am honored to receive such praise from a master like you! This novel took me two years to write while working a full-time job, and another year to edit and ready it for publication.

My novel-writing journey began in an unusual way. I had always considered myself a writer, but never really knew which direction to take with it. After giving up on a writing career early on because of a lack of confidence, I embarked on two college degrees and two careers over a span of twenty years or so. I worked as a registered nurse for a decade before going back to school for speech pathology. While working as a speech language pathologist, a co-worker of mine asked me to sit in with a client of hers who had suffered a stroke. This person was a young woman with aphasia. Aphasia is a disorder caused by injury to the language center of the brain that makes it difficult to express and understand language in any form to varying degrees. This woman made her living using her psychic abilities to do card readings, so her livelihood required good communication. It’s fairly typical, as part of speech language therapy, to help a client with aphasia perform learned techniques to improve their verbal expression by providing an “unfamiliar listener” situation to help them bridge from the therapy setting to the real world.

During my session with her, I asked a vague question: “What will happen for me in the next five years?” then I drew my cards and she interpreted them: I had been a writer in my past, I should be writing right now, and in the future I would write a book and have lots of help from editors and others and I would be happy and successful as a writer! This was the second very direct “message” I’d had about circling back to writing, and this time, I paid better attention. I am rather down-to-earth and pessimistic at my core, so I never took much stock in psychic abilities before. Once I entered my fourth decade, though, I decided to be more open about such things. The moment I received the message, I decided to pursue my writing dream, no matter what. No more excuses. I sat down that night and began the kernel of my novel. The rest is history, or rather…present and future!

It was such a pleasure meeting you in Vermont in late 2012 into early 2013, and hearing you read from the novel's first chapters in their earliest drafts.  Tell us about the fabulous author, Laura Bear!
The pleasure was all mine, believe me. I have never met a more evolved soul before I met you. The whole retreat experience was like a dream. I met a wonderful group of writers who continue to be my friends. About me, well, I am neurotic and deeply flawed, but I feel things with passion. I love nature and outdoor activities like bicycling and hiking and paddling (kayak or canoe). I love all animals, but especially cats. I have a little crazy dog who does somersaults of glee every time I come in the door. Every cat member of my family began as a stray who found us. My spouse is also an animal lover. Treman is seventeen-years-old and terminally ill,  but as long as she keeps purring and eating, we’ll nurse her along. She still helps me write by walking across my computer keyboard.

Your novel's Addie and Lucy are unforgettable characters.  I felt like I knew them as real people.  Tell us about your writing process, how you make the magic happen, in other words.
I’m thrilled you think so! I really love Lucy and Addie. I got to know them quite well during the writing of the book. My process is a little haphazard. For this book, I began with a character: Lucy. I didn’t really have a story for her, just ideas of a story. After I started to write about her background, the story began to unfold. Addie was a minor character at first, written to interact with Lucy. Steve Eisner at When Words Count Writer’s Retreat read my notes and really liked the sentence that is now the first sentence of the novel and he wanted to know more about Addie. He was quite intrigued by her, so I wrote Addie’s background and suddenly, there was this strong character with her own story. I just had to figure out how to put the two stories together in one book: a much more laborious task. I’d love to say the writing just flowed from there, but that didn’t happen for me. I had to scrape and peel every word from my brain like ancient dried up wallpaper off the wall. That said, parts of it did almost write themselves: the hobo Horatio; the parts with the caretaker of the inherited house, Tom Anderson; and the story of Lucy’s eccentric great aunt, Jean-Marie. I had great fun with those characters!

I hate sitting for long periods and I love to be outside with my camera or riding my bicycle or walking or paddling my kayak, so I had to learn how to stay still for writing. The writing gets done when I sit on my bum, but I am inspired by nature and movement.

I think your writing is marvelous, and that you’re an exciting new voice.  What other writing projects are you working on at present -- short stories, another novel?
Thank you so much, Gregory. I am quite excited about my second book. This time, the story came to me first and I am developing the characters. I have a sketchy outline. All I will say at this point is that it looks like it wants to be a thriller! I have several short stories started, but have been working on polishing the debut novel and fleshing out the next novel, so I still haven’t finished my short stories. I am in awe of your prolific genius, Greg! Working in a helping field, I do get a little depleted after working my day job, so I have to work in short bursts. I try to write at least something every day, even if it’s a short poem on Twitter!

Describe your writing space.
The third bedroom in our house is small, but duly suited for a writing room. I have a Mission-style oak desk in the middle of the wall, surrounded by two similar desks built by a carpenter friend. This creates a row of writing space with computer and printer along one wall with bookshelves and shelving lining the opposite wall. Double windows look out on the backyard with bird feeders, flower and vegetable gardens, and the stacked wood we use for the wood stove on the covered patio. Inside, the shelves are full of books I love books about writing, plus pottery and photos of family and wildlife. I have a small filing cabinet on the remaining wall and posters of musicians and instruments on the walls. A laptop computer lives on the middle desk. I keep several notebooks on the shelf or stacked on the left-side desk.  I tend to do my “real” writing on the computer. I used to write only in longhand when I was young and then transfer to a typewriter, but I find the computer freeing. My fingers just go and I don’t have time to analyze as much, which for me, is a good thing. I have a love/hate relationship with technology!

What’s Laura Bear’s version of the perfect writing day?
A perfect writing day is sitting in my writing room with a hot cup of tea or some red wine at my computer with the kitty cat lying against the keyboard. There’s a fire in the wood stove and a steady rain on the back porch roof and windowpanes, setting the mood and decreasing the temptation to go outside. All of this seems like a dream to me. I’m so glad I finally dove in. Thank you so much for hosting me on your blog site, Greg. You are a true gem of a person and a fantastic writer. I am truly blessed to be on this journey with such fine company.



Tuesday, October 23, 2012

When Words Count Writers Retreat Part Two

Within a minute of my arrival to When Words Count Retreat Center, a new destination for writers nestled in a rambling country hollow between the mountain peaks of Rochester, Vermont, I knew I had found my way to one of the happiest places on the planet. Since the autumn of 1993, I have retreated to write regularly across the New England countryside, from inns to islands and all points in between.  That first retreat to Wentworth Mountain over the Halloween weekend of '93 changed my life forever -- I went there determined to either give up this 'writing thing' or to embrace it like my very life depended upon the outcome.  Circumstances clearly favored the latter; even at its darkest moments since, I have loved my life, lived it with joy and exuberance.  Wandering the happy halls of When Words Count was like stepping back nearly twenty years through time to that very first retreat where I drank copious amounts of Earl Grey tea, luxuriated before a roaring fire, and communed with my muse in an intimate way deeper than marrow or blood; on a soul level.

That Monday night, I and my fellow conferees -- the fabulous Amber Lisa, the inimitable Jan Cannon (who is penning an amazing book), Lisa Cordeiro, and writer singer/songwriter Chrissie Van Wormer -- lounged in the Gertrude Stein Salon for a reading of our works.  I had just the previous night gotten book galleys for my short story "Phantomime" which was selected to appear in the invite-only anthology Blood Rites, a forthcoming release from Blood Bound Books.  I read the story aloud and got some fantastic feedback, and then I was thrilled to hear Jan's pages, followed by Amber's.  Both ladies knocked it out of the park as far as I'm concerned.  I love being read to.  I love it when the writing is stellar, and it sure was.

I enjoyed one of the most rejuvenating night's sleep in recent memory and woke with the opening of a short story that has eluded me since the spring and my trip through America's quite-wild West.  After showering, I wandered downstairs to the Stein Salon and wrote almost the entirety of "Cruciform" before Chef Paul arrived to cook us yet another exquisite breakfast.  I powered through to the end of the short story and returned to my novel Blinders, which got a wonderful jump start at the retreat center following six years of languishing unfinished within fifty pages of its THE END.  The same sense of euphoria I experienced in 1993 on the mountain where I chose to be a writer (or, more to the point, the writing chose me) embraced me, and I caught myself smiling widely while seated in the salon with its bookcases and cozy furniture and views of the rolling hills dressed in vibrant autumn colors, savoring the moment.

As part of our stay, we five were each given one-hour consultations with Jon Reisfeld and Steve Eisner who, along with Eisner's lovely wife Nele, were gracious and delightful hosts. Our conversation, held at one in the afternoon on Tuesday at the J. D. Salinger Cottage (a gorgeous detached bungalow just up the hill from the main house and the barn) was so upbeat, so energetic, it has sustained me well after my return from Vermont.  There are great and exciting plans for professional writers being created at the retreat center.  Based upon what they'd seen -- my usual output of fresh pages, one after another -- and what they'd heard me read, Jon and Steve invited me to be part of the excitement, which will also include a return to the center to lecture and workshop with other writers not far down the road.  I skipped along the trail back to the main house following my consultation.  There, beaming, I indulged in that day's episode of my beloved soap General Hospital on the Stein Salon's flat-screen.


Dinner that night included the most delicious butternut squash soup I've ever had the joy of tasting, with creme fraiche and a toasted crouton. Succulent roasted chicken and cauliflower, leafy salads with heirloom tomato and a sweet balsamic dressing, and perhaps the best chocolate chip cookies in the history of the planet followed.

"With simple yet fine ingredients, you can make lavish meals.  You can create something that people really respond to," says Chef Paul Kremar, the culinary genius behind the retreat center's incredible gourmet fare.  "With a handful of ingredients, you can create food that is as good as anything you've ever put in your mouth."

Chef Paul, whose enthusiasm and aura radiated throughout not only the Julia Child kitchen but the dining room and the Stein Salon, where nightly he served up incredible appetizers, was a visible and welcome presence throughout my stay.

"I don't subscribe to that old school notion that the kitchen is the sole domain of the chef," he says. "People are fascinated with food and want an interactive experience.  I believe in the opposite of the old Gourmet Magazine philosophy, which had a 'don't try this at home!' mentality.  Here, I like to interact with you, maybe inspire you to show that you can try this at home after you leave.  Flavor and texture must always reign supreme, and local food gives you a strong footing in terms of quality.  But it should always be yummy.  My goal is to make it the yummiest for our guests."

On our final night, Lisa read her latest short story, a paranormal mystery, and Chrissie, too, shared from her present work-in-progress, both offerings engaging and a treat for the ear.  I retired to my room exhausted but also energized.  For days, I'd absorbed the details of my surroundings, the trees and flowers outside, the elegant antiques acquired from months of auctions, artwork, and the personalized author-specific touches to the rooms.  I slept well and woke rested on the last day of my stay, a rainy and overcast Wednesday.

Saying goodbyes at a conference or retreat are never easy, but no sense of melancholy hung over my departure from When Words Count.  Bruce arrived in our car on time, and off we drove through the bucolic, rain-lashed countryside, headed for home.  A few stops along the way for provisions, and we enjoyed a happy night snunkered down with the cats while rain hammered the State of New Hampshire. Since that afternoon, the amazing energy that infused the retreat has stayed with me, as have the connections made in that magical place, a gift I gave myself and one all writers should treat themselves to.  I am counting the time until I return to that little slice of literary Heaven-on-Earth!

Sunday, October 14, 2012

When Words Count Writer's Retreat Part One

Often, the talented man who runs my Wednesday night writer's group says that it's all about the details when he praises my work.  The same holds true for When Words Count Retreat Center in the beautiful, bucolic Vermont town of Rochester -- the details make for an unforgettable destination all writers should be lucky enough to experience. I knew I had found my way to a small slice of Heaven from the moment I walked in and spied a sign advertising the Writer's Cafe, the name for the dining room and comfortable sitting inglenook soon to the immediate right beyond the front door.  I arrived on October 7, a brisk overcast Sunday, after a delightful ride up through New Hampshire and across the heart of our closest neighbor to the East.  And for the next four days, it was my absolute pleasure to explore this new, beautiful space designed specifically to pamper writers.  The details were, quite honestly, divine.

My journey to When Words Count began while I was checking emails up in my private room at Camp NECon this past July, when I happened to catch an ad on my Facebook page that offered a free stay at a new retreat center in the Green Mountain State.  I applied, not thinking much about the deal again until the day after I returned from Star Island when I received a phone call from spokesman Jon Reisfeld announcing I had won one of the fifty sweepstakes prizes -- a three-day stay.

2012 has been my year to travel, but I've been methodical in my planning and preparation work, so when the chance to visit When Words Count landed in my lap, I almost declined.  With increasing frequency, ten months of planes, trains, and automobiles (not to mention buses and ferry boats) have taken a toll on my energy reserves.  I'm a nester by nature; until January, I'd assumed my years of adventures in distant realms were behind me.  But a few days before departing, I decided to treat myself to an additional day in Vermont and the gourmet fare served by renown chef Paul Kremar, the man credited with re-popularizing the flat bread pizza here in the U.S.  Right up until the moment we left for Rochester, writing obligations kept me working -- a TV episode proposal and two short stories dogged me deep into the weekend.  One of the stories made it from longhand draft to computer that Sunday morning, but at 11:50, I knew I'd have to take "Princess and the Bee" (a fairy tale/Lovecraftian mash-up requested by an editor at Chaosium Press) with me.  And so we departed.  Lunch in Lebanon, NH.  A beautiful and effortless drive through northern forest country dressed in colorful autumn foliage.  A trip over a mountain, thanks to wonky Mapquest directions, and then we followed the crisp white signs set at intervals along a winding road to When Words Count.  Perhaps it was my lack of preparation, or the absence of real build-up -- as stated, this particular trip sneaked up without much fanfare, sandwiched between a retreat to Star Island I'd anticipated for nine full months and an annual week-long visit to North Conway.

I'm more inclined to believe the magic that embraced me from the instant I set foot in the main house, lovingly restored by owner Steve Eisner and his gorgeous wife Nele, owes entirely to the mindset and mission of When Words Count.  Immediately, guests know they do. When all was done, I'd penned some 7,000 fresh words, including a chapter-plus on a novel stalled within clear sight of its The End and a short story that had eluded me since the spring.

All of the guest rooms at When Words Count are named in honor of celebrated authors -- Ernest Hemingway, Emily Dickenson, F. Scott Fitzgerald.  I was originally booked into the Robert Frost Room, but got upgraded to Arthur Miller, a room so elegant and comfortable, I glided through my edits and had them emailed off to my waiting editor a minute or so before 5:30.  I then wandered down through the Julia Child kitchen to the Gertrude Stein Salon, the central gathering room complete with bookcases, comfortable seating, and fireplace, where Chef Paul serves delicious appetizers and cocktails to guests.  Dinner followed at six; it was, simply put, exquisite.  Hors d'oeuvers in the Stein Salon that first night were phyllo tarts with goat cheese and a trio of onions.  Dinner consisted of grilled pork tenderloin on a potato galette with homemade chipotle creme fraiche, roasted Atlantic salmon with a maple-mustard glaze, saffron-scented Basmati rice and sauteed spinach, wedge salad with creamy bleu cheese dressing and grape tomatoes, and warm chocolate chocolate chip cookies.

Three of my fellow four conferees during my stay arrived right before Sunday night dinner.  The first, the delightful and talented Amber Lisa, inspired me with her passion for writing and her enthusiasm for the retreat center, which was as instant as my own.  We dined, laughed, returned to the Stein Salon, and were treated to an impromptu concert by singer/songwriter Chrissie Van Wormer, who blew us all away with her angelic voice and original lyrics.  I retired to the Arthur Miller Room, slipped between the supremely luxurious quilt and high-thread-count sheets, and passed out seconds after closing my eyes.

Up early the next morning, I showered, dressed in comfortable clothes that included one of my 'writing couture' shirts, and dove straight into my novel BLINDERS, about a drifter who integrates into a dysfunctional family in a fictional Berkshire Mountains town, and was stunned with the ease in which I got back into a story that's been stalled and sitting in the 'drawer of shame' of one of my two big filing cabinets for six years.  I had nearly an entire chapter down before breakfast beckoned us for fluffy eggs, fresh fruit, and toast made from artisan bread, all of the ingredients sourced from local farms, another of Chef Paul's standards.  Lunch was no less spectacular, with salad and slices of cheddar cheese.  One of the daily treats is anticipating the posting of the dinner menu. Before gathering for a reading in the Stein Salon, Monday, 10/8's consisted of kicked-up deviled eggs with lemon zest for hors d'oeuvers, Norman Mailer's stuffed mushrooms, beef and pork meatballs slowly simmered in spicy tomato sauce and served over parmesan polenta with braised fennel, green salad with marinated feta, black olives, and balsamic vinaigrette, and warm peanut butter cookies.

As stated, a slice of Heaven, truly.

To be continued.