|(Poster art by Judi Calhoun)|
It was my pleasure to sit down with Jonathan, a talented scribe from my wonderful Berlin Writers' Group who pens poetry, short fiction, and memoir in addition to writing phenomenal plays (he's also hard at work on a murder mystery for the local dinner theater circuit), about Arthurian, which invites the audience meet a young Arthur, positing the details that created one of history's most beloved legends.
Talk me through the play's genesis.
With a low-budget theater company, I was looking for something that we could do with very inexpensive rights -- or for free. And I thought that something written locally would be the best way to go. I had difficulty finding the right project to work on, so I decided why not try writing something myself? Since I was a kid, I've been fascinated with King Arthur legends, in all the various forms -- books, movies, cartoons. And I realized that classic literature is free to adapt, and because there are so many different interpretations that contradict, I could just about do anything I wanted with the story. But I tried to keep as true as possible to the classic fantasy of Sir Thomas Malory. Sir Thomas took all these legends and myths passed down through oral tradition and put them to paper. They got nabbed and rewritten -- still under his name, but making it very Christian and religious. The church pulled a lot of the mysticism, paganism, sex, and magic out of it. And now we're putting this show on in a church!
|(Arthurian Playwright/Director Jonathan Dubey)|
When I was a teenager, I was involved in a couple of shows in Middle School, High School, and the local community theater, Theatre North. I then took fifteen years off to grow up, get married, have a career, and buy a house, but returned to community theater five years ago. I found it to be an organization with goodhearted people but not enough of them, and cursed by the burden of serious financial problems. That theater organization recently disbanded and Arthurian is our attempt to bring something positive out of the ashes -- and to keep the spirit of Theatre North alive as something new.
Local theater in Northern New Hampshire has something of a storied history. Why is it so important to keep the spirit and magic alive?
It's important to know about local community theater in this area in that there isn't any here anymore. One can travel over an hour to see community theater or summer stock, but art and culture is desperately lacking in this and other economically-depressed regions. There are artists here, and good ones. There are writers and other talented people in Berlin and the surrounding communities, and the public needs to know they're here and to celebrate with us.
|(Mario Molina as Sir Pellinore in Arthurian)|
It's a real 'King Arthur Begins' bent, an origin story, starting with Arthur's heritage when his blood father, Uther Pendragon, and Merlin set in motion the events leading to the boy's destiny. Mostly, it details the difficulties of growing up where he's so different from his adoptive family. We, the audience, steal a glimpse into the workings within the walls of Sir Ector's estate, and come to understand these legendary characters in an intimate and unexpected manner. Arthur is tempted to make the same mistakes as his blood father, but ultimately makes the correct though difficult choices that eventually shape his fate.
|(Arthurian's cast and crew)|
We have a varied yet talented cast: young Tanner Cote, in his first performance as "Kay"; June Desmond as "Mim", the Head of the Household -- she runs the house, really! -- has over twenty-five years of stage experience; Zachary Boucher as Arthur has some theater experience, but this is his first lead role; after performing the titular role in The Diary of Anne Frank, Samantha Kilbride changes it up as "Sir Ector"; Tyler Fowler and Miranda Braziere play multiple roles, most notably the devious "Scrounger" and the sinister "Larcena"; Mario Molina commands the stage as "Sir Pellinore"; Corey Shaink brings us a quirky and mercurial new take on "Merlin"; and Mary Champlin as the ingenue "Andrivete". Ramona Dube handles the props as well as the small but important role as "Taubitha", a servant. Amelia Kendall deftly handles the lights and sounds, and first time Assistant Director Danielle Robichaud also serves as Stage Manager. The entire cast and crew are local, all living within twenty miles of retrofitted church venue.